There are a number of different reasons that individuals may seek out high-quality recording equipment. An obvious one is the necessity for good quality audio for podcasts and video in order to not only make editing easier but also distinguish themselves from those that use inferior microphones.
In order to get an idea of the rage of options available it may be useful to look at the Razer Seiren vs Blue Yeti, two popular choices for audio producers. By looking at them, and what they bring with them to the party, it may be useful to see what a producer can accomplish.
Features Of The Blue Yeti & Razer Seiren
Both microphones do have some basic features in common. Both plug into the computer and are powered by a USB connection. They also require a headphone jacked into the microphone in order to monitor what is being recorded, but there is a master volume control in order to control how loud the recording will be. There is also a mute button to better control what is and is not being recorded. They also have pattern selection, allowing for the best possible sound recording depending on what you want recorded, from focusing on the front of microphone to all-around, as well as the ability to make conversations and duets sound pretty good.
They are also condenser microphones, meaning that they can change how they receive sound based on how a electricity is channelled between a series of capsules this gives them the capability to better focus on where the sound is coming from. There is one limitation that requires some adaptation for some users, and that is that the mics are not noise-cancelling: While some mics simply do not capture sound beyond a certain range, these pick up every sound within depending on which pattern they are set up for. Thus, they can pick up sounds that would normally be ignored, such as a fan in the room. This can create some issues in editing, but that is a side effect of having a high quality sound.
What’s Included With the Razer and Yeti?
The Razer Seiren comes with a shock mount for minimal noise, usually generated from unwanted vibrations. The shock mount suspends the microphone, giving it an elastic construction that absorbs and disperses any movement for a crisp recording. It also comes with a pop filter, reducing the pops and hisses whenever Ps and Ss are recorded; the pop filter can be easily added to the shock mount. The microphone can also be easily attached to a stand for better sound. It also comes with a carrying case that provides protection for the microphone and any accessories. This means that it comes with everything that you need except for a stand, and those are relatively cheap to acquire.
The Razer Seiren also features the possibility of sponsorship. That is, in order to ensure that your podcasts and vidcasts are successful, Razer offers access to various hardware sponsorships for those who qualify. This means that you have access to advertisers right off the bat, ensuring that you have an addition income stream from the beginning, again depending on if you qualify. It also comes with access to a community in case you have any questions regarding recording with the microphone, as well as minimal software support. It also starts at a great price, making it a great microphone for those looking for a good basic mic with some support.
The Blue Yeti is a little more expensive, but is more focused on the software than the hardware. That is, it does not come with a shock mount, although one is available, and it is a little more difficult to put on a stand. However, the stand set up is more inherently stable, making it harder to be accidentally pushed over, and is set up more for recorders that are sitting down than standing up. However, it is also better for directional situations and it has a slightly better recording range. For those looking for a great beginning microphone with a great lifespan, the Blue Yeti is a great mic.
As noted it focuses more on the software available than the hardware, although the microphone itself deserves the good rep it has earned. This means that the microphone comes with a number of free software packages that allow a person to do pretty much anything with a recording, including adding a range of musical instruments and other features. Also, if there are updates available you are notified. In short, for those looking to produce their own music, either due to lack of access to instruments or because they just want to see what they can do, this microphone comes with some great software.
What Are The Differences Between The Seiren & Blue?
The other major difference is the kind of software to which the user has access. The Razer Sieren has access to more general recording software meant to capture and modify the recording itself; this gives the person recording a wide variety of options on how to modify the sound being recorded included basic voice modulation. The Blue Yeti, on the other hand, is better set up for music recording, and comes with a wide variety synthesized instruments and other sound effects. There is the obvious option to go with a different software suite, but it can be interesting to see what you can do with the software provided.
Conclusion on the Razer vs Blue Yeti
Overall the Razer Seiren vs Blue Yeti debate is going to come down personal preferences in order to determine which microphone is better for your purposes. It is not important to consider the software as there are even freeware options that are as good in their own ways as the software provided with the two microphones; in essence, pick which microphone is best for your personal preferences and go for it. There are a number of options, ranging from price to range, and so it is just a matter of deciding which features you need in your microphone and deciding which microphone is a better fit. Once you have, buy it, set it up, and enjoy recording.